Thursday, October 17, 2019
The Painted Veil Literature review Example | Topics and Well Written Essays - 1000 words
The Painted Veil - Literature review Example W. Somerset Maughamââ¬â¢s novel the Painted Veil is today recognized as a 20th century classic. The novel itself takes its title from a Percy Bysshe Shelley sonnet that states, ââ¬Å"Lift not the painted veil which those who live / Call Life" (Maugham, ix). One considers that both the sonnet and the title hold a great degree of insight into the novelââ¬â¢s inter-workings. Specifically, the novel follows a variety of characters through personal challenges and foibles that are revealed after removing the metaphorical ââ¬Ëpainted veilââ¬â¢. This recognition carries with it a number of direct questions for the novel. For instance, is the work a bildungsroman -- a novel of development ââ¬â or is it merely a critique of human weaknesses? This essay argues that the novel functions to demonstrate that life is the continual negotiation between moments of development and human weakness, and as such the central theme is one of adaptation and change. Analysis Throughout the nove l tremendous periods of change occurs, most notably in Kitty Faneââ¬â¢s life. The most notable developmental change in Kittyââ¬â¢s life occurs in direct relation to the specific places she lives and the people she encounters. One considers Kitty Faneââ¬â¢s life throughout the early stages of the novel as largely seeking a more firmly established identity or purpose. In the early stages of the novel Kittyââ¬â¢s weak identity is established as she faces pressure from her mother to marry. The text notes that, ââ¬Å"Mrs. Garstin was a hard, cruel, managing, ambitious, parsimonious, and stupid woman" (Maugham, p. 19). This cruel and managing influence becomes a central area of concern in the novel as it drives much of Kittyââ¬â¢s decision-making. Not being able to recognize her motherââ¬â¢s social ambitions, Kitty rushes herself into an unhappy marriage with Walter Fane. Of course a notable shift in Kittyââ¬â¢s life occurs as she moves to Mei-tan-fu. Upon moving her e, Kitty states, ââ¬Å"I feel like one of those old sailors who set sail for undiscovered seasâ⬠¦and I think my soul hankers for the unknownâ⬠(Maugham, p. 153). This is a highly significant statement within the text as it indicates that Kitty has achieved a new purpose in life. To an extent the notion of this area as contributing to Kittyââ¬â¢s new purpose in life is directly attributed to her becoming involved with the French nuns; these individuals work with the poor and take care of the orphans in the area. One considers that throughout a great portion of Kittyââ¬â¢s life her actions have been motivated out of self-interest and her motherââ¬â¢s irrational expectations. Her move to Mei-tan-fu then has allowed her to remove herself from her dysfunctional and ineffective adulterous affair with Charlie Townsend, as well as discover and throw herself into a life-pursuit that extends beyond her immediate self-interests. These are both things that she could not achie ve in London or in colonial Hong Kong. While Mei-tan-fu largely represents a period of awakening and stability for Kitty one recognizes that this peace is soon punctured by further moments of human weakness and strife. Despite Kittyââ¬â¢s new sense of purpose, her relationship with Walter is still recognized as containing considerable strife. Even Kittyââ¬â¢s newfound purpose and stability is not able to rectify the situation with Walter. It is not long before he gains cholera. It seems that to an extent Maugham implements Walterââ¬â¢s cholera as a sort of symbolic comment on the nature of their relationship as sick of dysfunctional. The text states, ââ¬Å"I do not know what Walter has in that dark, twisted mind of his, but Iââ¬â¢m shaking with terror. I think it may be that death will be really a releaseâ⬠(Maugham, p. 220). While Kitty is vague as to whose death would be a release it seems clear that the cholera in this instance functions outside of the direct re alms of a plot device and more in terms of a symbolic comment on the nature of the relationship. From the perspective of the novel as one of development it seems
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